Quote:
Originally Posted by etype2
The full article which can be read at post #44 states that the reporter saw working prototypes in action, both color and black & white. The reporter commented that the flesh tones were the best he had seen.
|
These statements I can believe. The flesh hue is determined by the color of the red/orange phosphor. It is desaturated by some amount of complementary cyan, but its hue cannot change.
As the author states, purple is not possible - but I have no idea what he means by "reddish blue" if it's not purple (which it couldn't be) - maybe he means it was slightly variable from slightly blue to slightly red.
Here are some shots of Cliff Benham's 2-color field sequential set (left smaller screen) vs. ordinary 3-color (right screen), from the 2009 Early Television convention.
P5010070 by
old_tv_nut, on Flickr
P5010072 by
old_tv_nut, on Flickr
P5010114 by
old_tv_nut, on Flickr
P5010115 by
old_tv_nut, on Flickr
Finally, 3-color bars on left, 2-color on right:
P5010099 by
old_tv_nut, on Flickr