#16
|
||||
|
||||
Quote:
__________________
Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#17
|
||||
|
||||
Quote:
|
#18
|
||||
|
||||
Quote:
Now that's a real feature! Expensive SLRs should have that as an option in the menus. They should not be so hoitsy-toitsy as to not do it! |
#19
|
||||
|
||||
The tripod is your friend.
I've always used content recorded on laserdiscs for displaying still frames because then I can turn the set brightness down and up the exposure time on the camera or better, use a lower ISO. Realtime content typically involves a lot of experimenting. You need a shutter speed which as mentioned before is long enough to get a full sweep but not so long that the image blurs. The shot below is a live broadcast in black and white but took about 20 or so shots to get perfect. Quote:
|
#20
|
||||
|
||||
Another 'graduate-level' explanation from Wayne. Once again, I am less ignorant today than I was yesterday. THANKS!
-- Dave Sica |
Audiokarma |
#21
|
||||
|
||||
Another point - the automatic syncing to flicker rate can only be done with an electronic shutter (a point-and-shoot, or a DSLR in video mode). Mechanical shutters (film camera or DSLR with mechanical shutter in still mode) will generally have the shutter bar problem.
|
#22
|
||||
|
||||
I have that same model of Zenith and that is exactly what it looks like. They are very comfortable to watch.
__________________
Just look at those channels whiz on by. - Fred Sanford |
Thread Tools | |
Display Modes | |
|
|