#91
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Anybody here have electrolytic caps that are >3 years old that are failing? I have a few recapped radios that started randomly humming, I'm gonna check those 'lytics tonight when I get home......
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#92
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
#93
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John |
#94
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Every parts store back then had a full line of Cornell-Dubilier, Arcolytic, Mallory, or Sprague drop in cans. NOS, used stock, reformed.. they're all time bombs - even back then when they were only a few years old. It's not a matter of if it's a matter of when. John |
#95
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The 721TS had only another 7 hours this past couple of days reaching about 80 hours. No sign of the capacitors failing.
Have been running one of the 630TS capacitors I had reformed at its full rated 450 volt rating. Will leave this for a week and monitor the leakage current. One consideration: the late 40's RCA sets had full wave power supplies with capacitor of relatively low capacitance e.g. 40uF to 80uF at 450v. There are a number of factors in the design that put less stress on the electrolytics in these early sets: ripple current in the full wave rectifier, low deflection angle tubes which required less defection power etc. In the fifties, the designs pushed the limits of components to keep the consumer purchase cost down. The electrolytics were stressed with higher ripple currents, increased capacity in the same form factor. I know the RCA CTC11 color set I have has had to have all its electrolytics changed. The voltage doubler capacitors have been changed twice! So there are various factors at play here. There is no one size fits all solution and I am only citing the specific capacitors used by RCA in their sets in the late 40's in this instance. As this is a hobby endeavor and I am speaking from a hobbiest point of view with regards to conservation as opposed to wholesale rebuilding, intelligent assessment of the components is advised. The 1949 RCA 8T243 television which I am still running on its original capacitors I have owned for 50 years and the set still performs fine. |
Audiokarma |
#96
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I have been servicing radios, TV sets, and hi-fi/theatre/jukebox amps for 50+ years now; the problems with electrolytic capacitors were well known, even back then. Today, that stuff is 50-90 years old, and those old caps are like a time bomb. The survival of a "dry" electrolytic capacitor is largely due to the integrity of the rubber seals on the case. Once the electrolyte dries up and corrosion sets in, it's dead.
When servicing for a customer or commercial account, reliability is of the utmost importance, to avoid the dreaded "callback". Hobby work is different, of course, but when a reformed capacitor fails anyway and has to be replaced, it's time wasted. Except for commercial theatre-sound and jukebox amplifiers, most consumer equipment back then did not have an AC fuse, and a shorted capacitor can take out the power transformer. New capacitors are cheap insurance, and I add a fuse in the AC line for more protection. Last edited by Tim Tress; 07-04-2020 at 08:42 PM. Reason: More information. |
#97
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And update on the 721TS running its original capacitors. It has now reached 350 hours. I am writing today because I pulled the chassis to make a minor mode e.g. reduce the value slightly of output transformer primary parallel capacitor at the plate of the 6K6. This is provide the audio with a bit of a treble boost. I find they liked muddy audio in the '40's.
I looked at all the original electrolytics and they are remaining cool. I disconnected two to measure leakage and they are well below 1mA. I haven't spent much time on the two electrolytics I pulled from a junked 630TS chassis. I had been running these capacitors rated a 450v on a 450 volt supply. I left them 48 hours and the leakage remained about 0.2mA. I had put them aside the last few months and will continue my test on them. Ultimately I planned to tear them apart to look inside but they have held up well. I think the key is the patient reforming. Never run even a variac to a set 70 years old until reforming the capacitors. While reforming, monitor and limit the current to no more that 10mA at the start and monitor regularly as the dielectric reforms. At the start of the reforming process on the 721TS, the voltage remained at about 10 volts at 10mA for about 10 minutes until it started to climb. In about 6 hours the current at 400 volts was about 1.5 mA and leaving it overnight brought it down to less than 0.5 mA. Testing today the couple I tested the leakage remains the same. The key is patience. My background is electronics engineering and I have been repairing vintage electronics since the late '60s. In the last 50 years, I have done my share of electrolytic replacements. I am only pointing out that I do not immediately condemn the capacitor until I test it out. I recently restored a 1954 HP High Voltage 0-600 volt Regulated DC power supply and found four of what I would have expected to be quality capacitors bad and had to restuff them. So I insist this doesn't always work. But if good quality Sprague or Mallory electrolytics are used, it is worth giving them a chance. |
#98
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I have an 721TS update. It's not about the filter capacitors this time. The set has about 350 hours since my minimalist restoration and the filter capacitors are still fine).
This is about a nagging sync problem. I am surprised how well this little set works despite it being a pared down design. The sync separator is very basic: a sync amplifier fed from the video amplifier (12AU7) plate to a 1/2 6SN7 Sync Amplifier followed by a 6AL5 sync clamp to1/2 6SN7 sync separator. The set is pre-AGC with the contrast adjustment controlling gain in the RF/IF section of the receiver. The problem stems from a relatively narrow adjustment range affecting horizontal sync. This set features the earliest version of RCA's classic a later widely licenced Synchroguide Horizontal AFC without the stabilization coil. I checked pin 6 (cathode follower sync feed) as I varied the contrast control and found that the sync separation diminished either side or a very narrow range of contrast adjustment. In other words, the sync separation was not very good. This is not suprising considering the limting factor of cost in the design. The sync clamp or limiter works well as it keeps the sync tip at at fixed DC level. I tested and swapped the 6SN7 with no improvement. And the capacitors all tested good resistor values good. I was tempted to swap the low amplification factor (20) 6SN7 with a (70) 6SL7. But this would require further redesign as the amplifier gain would be too great. Picture 1 is the Sync Section of the 721TS with the modification applied. Picture 2 Is the 621TS Sync Separator included for comparison. Picture 3 is the separated horizontal sync. Picture 4 is a picture off air of TVO this evening via an RCA branded set top box. The set is running behind where I am writing this. I ultimately considered altering the cut off of the sync separator portion of the 6SN7: by applying a pull up resistor of 510kohm as depicted, the clipping action would remain wider with video gain changes. The result is that the waveform depicted was maintained at a somewhat wider range of contrast adjustment. This will be displayed in the video as less video pulling of the horizontal sweep as the contrast control is adjusted. The sync separator cathode after adding the resistor, showed less ingress of video (in the range depicted with the white arrow) over a wider range of contrast control adjustment. I would be curious how other with the 721TS finds this problem with contrast adjustment. I have included the circuit of the 621TS which is very similar to the overall design to the 721TS. The 621TS uses the earlier 6H6 as opposed to the 6AL5 for the sync clamp. And the 621TS is still pre-Synchroguide and would be curious how the contrast adjustment affects it. I have added the resistor and am happy with the overall result. Below: Picture 1 is the 721TS sync separator diagram with the modification made. Picture 2 is the 621TS sync separator included for comparison. Picture 3 is the 721TS sync separator output horizontal sync waveform with the range depicted where you will see video ingress when the contrast control is adjusted. Picture 4 is the set sitting behind me as I write. It is receiving this evening TVO (TV Ontario) via an RCA Branded set top box. Last edited by Penthode; 11-20-2020 at 09:33 PM. |
#99
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II know I am winding everyone up by posting this. But the set has I expect past 400 hours. In my pandemic office at home where I work, I have been runni g the set about six hours a day. CHCH-TV runs old sixties,/ seventies shows all day.
I had the set apart at about 350 hours to check the electrolytics. The two I tested (rectifier output) leakage was about 400uA at full rated voltage which is normal. The only electrolytic which was bad was a tubular axial mount 25uF at the audio output supply. This,was replaced as it failed my original test. All others have remained original. And about half of the original paper capacitors I left if they were in the circuit shunted by a resistance of 100k ohm or lower. All the other paper capacitors have been changed. A couple of resistors,were changed as they were out of tolerance and affected performance. Here,are so.e snapshots from this afternoon oat via an RCA ATSC set top box. Last edited by Penthode; 12-07-2020 at 10:43 PM. |
#100
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I work from home these days. I switch on the set and tune it daily to an OTA station via my little RCA STB to a local channel that runs 60's -70's shows. It is on about four hours most weekdays. I run it for a few hours on the weekend as well. Still running on the original "properly reformed" electrolytics. Must be in the region of 700 hours now.
This set is a good little performer. A problem occurred a few weeks back when the video went away. Traced it to the last video IF plate load resistor opened. Recall this was a set I only changed the paper capacitors that I deemed stressed. That is with a high DC voltage across. I left a bunch of original capacitors used for bypass that have only a few volts across. I also left the vertical integrator caps. One electrolytic did not reform: it was the radial lead electrolytic bypass to the audio output screen grid. It had to be replaced all other electrolytics reformed to low leakage at full rated voltage, so I left them to see how long they would last. Two resistors have been replaced: the aforementioned last IF plate load and the plate supply dropper to the Horizontal Oscillator. Needed to touch up the video IF alignment after the IF load resistor replacement. Did it by eye by checking to see the carrier is at 50% by taking note of the brightness and the detail and rocking the fine tuning back and forth. A half turn of the last IF coil slug did the trick. Helps that it does not have AGC. Last edited by Penthode; 02-02-2021 at 04:01 PM. |
Audiokarma |
#101
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Well, kudos to whatever electrolytics RCA used. Personally, I just want my sets to run reliably, so I just replace the electrolytics seeing as though they may not be whatever brand/spec that RCA used. Not all electrolytics are this marvelous.
It seems like during the course of this you have had a number of resistors fail. Maybe I should be replacing all the resistors for reliability, LOL. |
#102
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Curious I found RCA electrolytics have been vey reliable. I had a 1949 9TC275 set with a slew of bad electrolytics it was stored in a wet basement in Chicago which may account for it. I have four other late '40's RCAs and all have original electrolytics. As I pointed out, the slow reforming did the trick: limiting the maximum current during reforming to no more than 10mA. And never applying power to the set until it has first been thoroughly vetted. Variacs and direct power application after sitting dormant for 50 years is a sure killer.
As for overall reliability over the last 6 months, the little 721TS has only had the one resistor failure in service. It just suddenly opened up. |
#103
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The 1947 RCA 721TS is still chugging along on it's original electrolytics. As I pointed out earlier, if the capacitor dielectrics are slowly and carefully reformed and the capacitors are afterward tested to confirm low leakage, they will last and last. This set had sat dormant for nearly 60 years in a house near Schenectady NY. So it must have been purchased to receive WRGB in those days.
It must be well over a thousand hours since I did the minimal rrevival, replacing only the paper capacitors which would likely fail. I left in the paper capacitors which are shunted by resistances 1Meg ohm or less. The set is frequently run the set for hours at a time. had it on this evening when I recalled this thread. I will check in the next year or so with another update. Last edited by Penthode; 09-17-2021 at 03:20 AM. |
#104
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I don't know how I've missed this thread this long. It's been a good read though.
My 1954 Crosley is running on the original electrolytic cans. I tested them in 2006 and they all sections checked out fine so I never bothered to change them. I have no idea how many hours I have on that set, but it was used daily fom fall of 2006 to around 2011 and less frequently after that, and have had no issues with the electrolytic can. I tested it in the winter of 2015 while I had the chassis out working on a intermittent lose of horizontal oscillation and it still tested out fine. It's also running on the original selenium rectifiers too. |
#105
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That your TV itself is still working is amazing as well, especially after 67 years. Are you using this set as a video monitor for games, a computer, etc., or, if you are still watching TV with it, are you using a DTV converter or a cable box?
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Jeff, WB8NHV Collecting, restoring and enjoying vintage Zenith radios since 2002 Zenith. Gone, but not forgotten. |
Audiokarma |
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