#16
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Well for us Dr Who fans, we very much prefer to see the early Dr Who episodes enhanced in quality as close to the original broadcasts than seeing them in poor quality film and we want to see the colour episodes in colour, not B&W, and with the technology available to do this and so many classic Dr Who fans, there is a good point to restore those early shows to close to their original broadcast quality!
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AUSSIE AUSSIE AUSSIE!!!!! OI OI OI!!!!! |
#17
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I just want to see Lala Ward in colour because I think I'm in love.. (In real life she ran off with the leading actor, Dr Who himself!)
Just like that other delectable English actress Rachael Ward.. (who in real life ran off with her co-star in The Thornbirds!) |
#18
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Quote:
Question is whether lenticular kinescopes also used the same vertical line structure for the lenticles. NBC definitely used it for a few years; somewhere around here I have the SMPTE Journal article about it. Also a couple of TV columns where they criticize how grubby the lenticular kines looked in the West Coast feed. Of course a modern restoration could get a lot more information out of the film than a 1956 film chain. Supposedly there are some lenticular kinescopes in the Jerry Lewis collection at the Library of Congress but I'm not sure (and that collection is going to take years to process...) Jeff M. Chicago, IL |
#19
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Quote:
If they restored the color optically, it appears to me they had a lens with slightly wrong focal length, resulting in the hue shift across the image. Last edited by old_tv_nut; 05-17-2020 at 04:36 PM. |
#20
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Here's a rough diagram of what may be happening. Mismatch could occur with projection lens longer focal length than taking lens (as shown), or shorter.
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Audiokarma |
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