Quote:
Originally Posted by old_tv_nut
To make a long story sort, the major difference from a modern phosphor set (besides being considerably dimmer) is that the green is less yellow and more "kelly green" - this gives the possibility of a wider range of green and blue-green saturated colors.
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And thusly, a 15GP22 looks more like true Technicolor motion picture film. I saw Pete Deksnis' CT100 in person, which he has set up better than any CT100 I have seen. The color on Pete's set will knock your socks off if you are viewing the right program material.
If you are reading this post Pete, perhaps you could give us a list of those special DVD's you have that were digitally remastered from the original Technicolor masters, and maybe some links as to where these special DVD's can be purchased.
Pete also has an adapter on his CT100 that allows you to run the set as a "monitor" and bypass the tuning section so you can drive the set directly from the video of your DVD player. I think the video adapter is a great mod and when I get my sets up and running, the video adapter mod will be high on my list of things to do.
Bob