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One thing that must be noted is that the same signal (from the same DVD) when put into a modern tube and the 15GP22, will ALWAYS show less-yellow greens on the 15GP22. This in no way indicates what the colors from that DVD SHOULD be. In fact, it is very likely that the color was restored while viewing on a modern (very accurate, but still modern) CRT, and that is what the srudio intended on that DVD.
However, one might surmise that IF the studio used an extended range monitor, it might have at some point produced an extended range master which was then rendered to be as good as possible on a modern display. This could include the choice to either keep the correct hue of a true green or go for higher saturation, but not both. There are similar, but much more severe, color rendering choices to be made in converting computer images to printed output.
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