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By the way, the change to a single wide-range zoom on every camera (instead of a turret of fixed lenses) eliminated most of the dolly moves, which were the only way to get variable shots on air with a fixed lens. Not only were the dolly moves a nightmare for lighting (danger of throwing shadows), but I remember seeing programs where the pedestal had an obvious flat spot on a wheel that made the camera "nod" or tilt to one side periodically as it rolled.
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