Quote:
Originally Posted by Tom Albrecht
I remember as a kid in the late 60s and early 70s seeing color sets at neighbors' homes that were wildly out of adjustment, and those were sets a lot newer that this that weren't nearly so difficult to adjust. I can only imagine how some of these CT-100s looked in customers' homes in the mid 1950s! Maybe some of you remember those times and can tell me I'm wrong...
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An uncle of mine had one for a few weeks in 1954, this in Ft. Worth TX.
This was a loaner while his mono giant console was being fixed. It looked
just fine in color. In B&W the purity was less than perfect but watchable.
Convergence I remember as no problem.
He liked color so much that when the 21CT55 came out he bought one.
In Ft. Worth we had the big advantage that all local programs
were in color, right from day 1. And there were lots of studio
productions. On the 21CT55 they looked fine too. I've told this story before.
Oh but did I mention he was 1/2 mile from the transmitter?
Doug McDonald