I don't remember anymore what makes of TVs had the color socket; the small spiral-bound books I had with the service info and color-socket voltage readings are long gone, lost in a move 40+ years ago.
It's interesting to me that some sets had the color socket simply for show, not connected to anything under the chassis, on the rear chassis apron. If this was simply an advertising stunt, I bet anyone who tried to connect a CBS color adaptor to a TV equipped with such a socket was very disappointed when he or she turned the set on and saw the same old black-and-white picture they had been used to for years, or else they thought the adapter itself was faulty; they were probably even more disappointed when they would call a repairman in, who would tell them point-blank that the so-called color socket was not connected to anything and that the customer had bought the color adapter for no good reason.
I doubt that anyone would tolerate having a huge color wheel in their living room, spinning in front of their TV. It would have been OK for an evening, I guess, but I don't think anyone would put up with it much longer than that. Something like putting four stereo speakers in your living room in the early 1970s and sitting on a hard chair in the middle of them so you could get the full 4-channel, quad-sound experience with the then-new and ill-fated quadraphonic stereo system. It was okay for one night, but no one would tolerate it any longer.
If the color wheel were inside the TV cabinet, however, it would be different, but since the CBS color system was so short-lived it really didn't matter. The CBS color-wheel system was probably, even likely, doomed to failure from the beginning anyway, in part due to the large color wheel and also because the system was not compatible with existing black-and-white sets; this meant that CBS color programs could not be viewed directly as b&w on sets without the converter.
RCA's all-electronic NTSC color system, which
was compatible with existing black-and-white televisions, however, was a vast improvement over the CBS system, since the RCA system did not require the use of a color wheel or an external color adaptor on the set to receive color programs in color; further, color shows could be viewed on older, existing b&w televisions--in black and white, of course.