[old_tv_nut]

[Comments in brackets are my paraphrasing of various sources.] Unbracketed text is from the Wikipedia article on Technicolor.

[Ferris Buehler was not filmed in or printed in Technicolor. If the video version has a Technicolor credit, it must be for video transfer work, not the film itself. The end credits say "Color by Metrocolor," which was MGM's in-house film processing for Kodak Eastmancolor.]

[Relevant Technicolor History:]
Foxfire (1955), filmed in 1954 by Universal, starring Jane Russell and Jeff Chandler, was the last American-made feature photographed with a Technicolor three-strip camera. [Thereafter, except as noted below, "Technicolor" films were made on single strip Eastman color negative film and printed by the Technicolor three-strip process.] One of the last American films printed by Technicolor [three-strip process] was The Godfather Part II (1974). In 1975, the US dye transfer plant was closed and Technicolor became an Eastman-only processor. [Some movies still had a Technicolor credit if the prints were made by the Technicolor corporation. Over the years, the credit varied between the original "In Technicolor" and "Color by Technicolor"]

In 1980, the Italian Technicolor plant ceased printing dye transfer [three strip].

The British line was shut down in 1978 and sold to Beijing Film and Video Lab which shipped the equipment to China. A great many films from China and Hong Kong were made in the Technicolor dye transfer process, including Zhang Yimou's Ju Dou (1990) and even one American film, Space Avenger (1989), directed by Richard W. Haines. The Beijing line was shut down in 1993 for a number of reasons, including inferior processing.

In 1997, Technicolor reintroduced the dye transfer process to general film printing. A refined version of the printing process of the 1960s and 1970s, it was used on a limited basis in the restorations of films such as The Wizard of Oz, Gone With the Wind, Rear Window, Funny Girl, and Apocalypse Now Redux.

After its reintroduction, the dye transfer process was used in several big-budget, modern Hollywood productions. These included Bulworth, The Thin Red Line, Godzilla, Toy Story 2, and Pearl Harbor.

The dye-transfer process was discontinued by Technicolor in 2002 after the company was purchased by Thomson.