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I think the human eye sees a far greater range of contrast than vintage TV sets can display. In old TV shows, it seemed common to light up night scenes quite brightly by today's standards in order to get any image on the film, but the more modern trend seems to be a huge range between the brightest and darkest scenes. I would say it is almost analogous to the difference between the noise floor and the loudest possible recording on a 78RPM record versus a digital recording.
This large contrast range really asks a lot of old TVs, and that's why I wanted to try and do something to improve the Marconi, if only slightly. Better yet it seems to me would be some kind of signal processing to dynamically compress the contrast range, like say using a variable mu tube as the video amplifier, to have the effect of turning the contrast down in dark scenes, but I'm afraid I'm not smart enough to design that.
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