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Originally Posted by Steve Hoffman
Well, the old 35mm broadcast prints were processed in real Technicolor. The prints you see today are on boring Eastman color. That makes a BIG difference.
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Plus you are getting pixelization and loss of resolution on cable and satellite. But then you are also losing the ghosting and other noise you would have had back in the 60's with that analog antenna so maybe it evens out.
Try turning your saturation control up ; )