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Originally Posted by Steve Hoffman
Well, the old 35mm broadcast prints were processed in real Technicolor. The prints you see today are on boring Eastman color. That makes a BIG difference.
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I agree!
When I get to see Bonanza on a 21" color I expect it will be just as great as it might have been if I'd seen it when it first aired.
That reminds me... Steve, I sent you a couple private messages about your set. Thanks, John