Quote:
Originally Posted by miniman82
Does that mean it had separate inputs for the 3 primary colors, or received a signal containing color info for all 3?
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Like today, it was a single carrier system containing luminance, chroma, and sync. However, if this is a 1950 set, that would be before Philco introduced quadrature modulation to the mix. The set would include bypassed monochrome circuitry, but probably not constant luminance developed by Hazeltine; it probably used the RCA system that sampled the R, G, and B at 120 degree intervals.
Again, the set would have to be reversed engineered and its expected transmission system reproduced by Darryl's magic.
Pete
06-04-2011, 03:01 PM
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