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(pre LCD or plasma non-sweep, light always on) was the horrendous flicker at 50Hz, making it virtually unwatchable at respectable brightness. I never noticed color problems with NTSC on live material. I saw it only on material from very cheapie film chains. This dates all the way back to 1954. I got my own set (actually a college TV room set, but I ran it) in 1962. It never suffered color problems after I put a locking pot on the hue control. I have an RCA CT-100 from 1954, restored this summer. I have it actually "calibrated" to match my modern calibrated flat screen. Colors are not absolutely identical on all material, but are on most. The difference could be corrected by adding two more color adjustment pots, as it depends on 10% resistors in the color matrix, and its so close I have not bothered. 10% error is easily visible, my errors are in the 5-10% range This, of course, is with modern source material. Looking at very old prerecorded VHS tapes it looks ... excellent, without adjustment. Just not absolutely perfect. I looked at two 40 minute long slide shows I made of two recent vacations I took on the CT-100 and they had perfect color. PAL was a solution to a non-problem. The solution to the REAL problem (50 Hz flicker) was the light-always-on LCD or plasma set. Incidentally, phase alternation was not invented by the Germans, but was developed in about 1951 by RCA and Hazeltine. I have seen the "CPA" (color phase alternation) prototype (which is PAF, phase alternating field, though RCA also tried PAL) working and it does work OK. Nobody noticed interfield flicker. |
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