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Definitely a good explanation. The scary thing is my principles of communication course last quarter spent a lot of time on quadrature modulation, and taught me less about it in that time then that youtube video did in under 20 minutes!
The RCA method of building a chroma reference oscillator with feedback to correct phase errors (ie a PLL) was a gross over complication of achieving recovery of the burst reference carrier along with a color killer to switch off the color CKTs when the burst was not present...I like GE's method better: dump all that, and feed the burst to an RC tank circuit that will keep ringing until the next burst comes and use a limiter stage after it to keep the amplitude constant....It was like using the burst to strike a tuning fork, sitting back and listening to the tone. If you want to see genius simplicity Admiral made a single tube high level demodulator shown and discussed on pg 127 of the third edition of Buchsbaum's Color TV Servicing...Only lower tube count color stage I can think of is someone on here mentioning some self-oscilating high level demodulator.
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 Last edited by Electronic M; 12-24-2014 at 02:12 AM. |
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#2
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Quote:
sync system ("Synchroguide") is vastly more immune to noise. This of course does not matter to us today with signals from our local NTSC generators fed over coax. But we here still have an OTA NTSC, Ch. 39, and even at a (wideband) S/N < 1 (!) color and both syncs are rock solid on my CT100. |
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