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#1
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Two ways to think about that mentality. One is I'll hoard everything I can find and never sell anything so that IF I come across something that needs parts I, and I alone, will have the spare parts I need. My island will be full of the fruits of my hoarding, but I will be alone on it. The other way to look at it is if I have a spare part you need and I don't then I sell it to you. Murphy's law dictates that yes I'll need that part minutes after I let it go, but such is life. My island becomes not so full of shiny things, but full of other people and we all benefit. I love that this hobby is full of people who think closer to the latter than the former. Everyone is free to keep and share whatever they feel fit and I'm not advocating antique television socialism, but good for those people that do let (some) precious parts go to others.
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John |
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#2
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while not a color set it give the idea of the tripler
this is me messing with a BW tv: https://www.youtube.com/watch?v=li-kxlpA0mU this guy has lots of great videos on flybacks: https://www.youtube.com/watch?v=tVK2ZoiT9uA Don't give up too fast on the one you have |
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#3
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Seriously though I have always relied upon the kindness of strangers.....John H. |
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#4
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Me too.
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John |
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#5
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I am sure you have life insurance to care for your new baby in the event of your demise. Having spare parts is a form of insurance against decreased value of an operationally restored collection losing significant value when a rare part goes bad. This is not about hoarding, it's about a type of "insurance" we choose to have in order to feel comfortable. Some collectors are happy to just look at non-operation sets. Others of us want our sets to actually work, (it's about the WOW factor that occurs when non collectors see our collections). But there is very high risk in turning on a set that could go poof at any moment. So we try to have "insurance" against the heartbreak that is sure to come sooner or later. Some parts are easy to get, some are total "unobtanium" and others are just so rare that the only way to get one is to buy an entire set just to get one part you need. As for me, I am in the middle. I both share, and retain of my parts spares, as most all of us do. Last month alone a Porthole fly and a Moto Yoke. Your implication that there are "hoarders" among us who never share anything, is rather insulting. I don't know anyone in this hobby who is that selfish. In the end when a collector dies and passes on his estate, there will be an opportunity for everyone to share in the "insurance parts" the deceased collector saved for us. "All things must pass" George Harrison In the meantime there will be those who have and those who do not. That is just the way life is. We all covet stuff that we don't have, that doesn't mean the people that have those things are bad or selfish, it means they are successful in their endeavor. And when success becomes looked down upon, we end up with Socialism.
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Vacuum tubes are used in Wisconsin to help heat your house. New Web Site under developement ME http://AntiqueTvGuy.com |
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#6
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Yep. The same rings true for any kind of collectable device. I collect 35mm and 70mm film prints. When the movie theaters started converting to digital projection at a rapid pace about 3-4 years ago I ended up picking up many of the same model projector that were headed for scrap metal recycling. There's really not much that can go wrong with a projector head short of gears wearing out over time and the intermittent movement wearing out and failing. Once that happens, the machine is useless. While finding a company that can machine gears is not terribly difficult, there are really no longer any companies left that have the tooling and expertise to manufacture parts and rebuild an intermittent. Hopefully the 4 intermittents I have will last the rest of my life.
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#7
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I don't think any one of us is 100% on the side of either of the two extreme examples I gave. I am certainly not suggesting that anyone should be looked down upon because they choose not to give things away at will. As I said in my last post "anyone is free to keep or share anything they see fit." There are things in my collection that I'm not offering up for grabs! What I am saying is that the more people we have in this hobby the better for all of us. I don't think I would be a tv collector if it weren't for the generosity of this community. When we let porthole fly's, Moto yokes, and spare 15GP22s go to others we keep people collecting and that infects others. Just this week I let go of another rare picture tube to another young collector because he needed it for a family set. This was no only my only spare, but it left me with a broken CRT in my set. Someday a 7EP4 will come around again and maybe then I'll have one to replace mine. In the meantime another collector will have the joy of watching a set that means a lot to him, and that means a lot to me to help him.
Sorry to go so off-topic. Moderators edit if you see fit.
__________________
John |
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#8
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![]() jr |
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#9
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In general, a 7JP4 won't sub all that well for a 7EP4, the difference in HV is too great. The 7EP4 needs about 2 or 3 kV, a 7JP4 is around 6 kV I think. A 5BP4 is a better sub, being electrically identical, despite the smaller screen, and actually cheaper than a 7JP4. A 7GP4 would probably work though...
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#10
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I'm a stickler for originality. I've seen 2 7EP4's for sale in 5 years so another one is due to come up in 3 years or so.
__________________
John |
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#11
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#12
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I don't want to derail the OP's thread too much so I'll keep it brief. Yes it's not only possible to collect and project 35 and 70, it isn't as expensive as you think if you are patient and have good contacts. It took me a long time to work up to the 70mm however. I mostly bought prints in the 90's from a now defunct classified ad magazine called "The Big Reel". Prints averaged from $150-$350 usually back then. I bought a WWII era "portable" 35mm projector and could only run one 20 minute reel at a time. In 2008 I acquired my first dual gauge 35mm/70mm machine and started accumulating the sound processors for the different kinds of audio tracks. That machine also allowed me to use large enough reels to hold an hour of film so only one re-thread per show. Now I have a full blown system with platters and and everything but my print collecting days are pretty much done and I sit on my 45 or so titles I've kept. The magazine is gone, and what titles get put on ebay are being "panic bought" by film archives and "eccentric millionaires" Just last week a print of Raiders of the Lost Ark got bid up to $4585. Ridiculous. That used to be a $350-$500 title not too long ago. Maybe I'll make a thread on the subject in another subforum.
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#13
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tip
This Tech Tip from Worked for me years ago, could be a new idea for you, I am not sure what set that I tried it on its been awhile
I have problems with windows 10 and this site, I try and rotate but it still loads sideways Last edited by wiseguy; 07-19-2016 at 01:00 PM. |
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#14
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Hi!
Sorry, but in my opinion the best way would be rewinding the donut. Has anybody ever tried that or finding a company who is able to do so. If not what are the reasons? O.k. the diameter of the wire is real thin but on the other hand if it was possible winding a HV coil 60 years ago it should still be possible today- or am I wrong? Greetings Josef |
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#15
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Well I have known more than one radio collector anyway who has let $100K or more of incredibly rare sets molder to dust in leaky sheds and tents being unable to get highest eBay value for them. This is nothing that benefits people or is a matter of selfish there, it simply is a way some people think really. OTOH I've had dozens of near strangers help me and I have returned the favor as I can. I certainly have no intention of giving up on it before 2026 anyway. John H. |
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