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#1
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Especially when you consider that many of those seventy manufacturers produced maybe a single prototype set, or extremely limited pilot run of sets (à la Zenith and Admiral), and then bailed on color TV before it even got off the ground.
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#2
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Quote:
Mainly because of the NBC network, which seemed to be the only color programming on the air.
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#3
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They did sell complete chassis to other manufacturers. They also licensed the LB-962 circuit to other manufacturers. They'd attach their own tuner, maybe modify the audio circuit a bit, stick it in their own cabinet and then call it their own. Hoffman did this with their '55-'56 Colorcasters, the two Gilfillan prototypes use this circuit, the '56 Sentinel uses it, Emerson and Raytheon used it, etc.
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#4
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Admiral didn't bail. I can't speak for other manufactures. They stopped production of their 15 inch color set about June, 1954, about the same time RCA stopped production of the CT 100. Then RCA had limited quanties of the 21CT55 in time for Christmas delivery, 1954 and Admiral had their equivalent 21 color set in dealers showrooms by January 5, 1955, again with an RCA 21APX engineered CRT.
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#5
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I stand corrected. I had forgotten about the ugly 21 inch Admirals. Regardless, by 1958 RCA was left standing alone for the most part. Zenith wouldn't start manufacturing a color set until 1962, and GE and Motorola, while continuing to offer sets, were selling next to nothing.
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#6
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Quote:
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
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#7
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Not my cup of tea... but then I like the looks of the GE 15CL100, the Westinghouse H840CK15, and the late 40s UST projection sets, all of which have an unconventional (some might say ugly) design.
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