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There's always the possibility that the video was tweaked with modern technology to clean it up.
It most likely was. But the absence of both image orthicon halos and the typical motion smears and flares of Plumbicon cameras is puzzling to me. Were the RCA Plumbicon cameras that much better than the Philips?
Did this studio ever employ TK-42 (4-tube) cameras? I am not familiar with the look of video from them.
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