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#1
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A field sequential medical closed circuit monitor would not have used a -P22 CRT. It would have used a -P4 CRT.
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#2
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It was absolutely possible to make field sequential on a shadow mask tube and the converse was also done...Col-R-Tel made a color wheel converter for monochrome NTSC sets. http://earlytelevision.org/col-r-tel.html Prior to CBS color becoming standardized Zenith was one of the big players in the medical closed circuit color market. Before CBS color was on air there was a sizable closed circuit field sequential network between hospitals and medical schools to make surgical procedure education easier. I don't remember reading much about the replacement of that equipment with NTSC, but I would assume since it was costly and had a decent install base that it persisted into the NTSC era and that if any new recievers were needed after the 15G came on the market that engineers would have been tempted to use it. I'd bet you a cookie the last field sequential recievers receiving actual program material in the 50s were medical CC monitors. Wayne/Old TV nut you are right the shadow mask implementation would be dimmer than NTSC on a shadow mask, but I think you overlooked the fact that the color filters in color wheel converters also significantly attenuate the light passing through them...I don't have the figures on hand, but I suspect the difference in brightness would not have been quite as substantial as one might think.
__________________
Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
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#3
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#4
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The reason is that the color temporal (flicker) response of the human visual system is much slower than the luminance temporal (flicker) response - that is, you could see that the luminance was changing due to the red to green to blue sequence, but you could not see that the color was changing in sequence, only the brightness variation. You only saw the blended color. So, the pictures were deemed viewable even though flickering strongly. Some early advanced TV systems (leading up to HD) attempted to reduce the frame rate of the color component compared to the luma component. There were problems in fast moving objects with the color information jumping behind and/or ahead of the luma on sequential fields, which would have required some sort of motion compensation. Edit - but it was mostly unnoticeable. |
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#5
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https://www.earlytelevision.org/skf_mackenzie.html More: https://www.earlytelevision.org/skf_color.html |
| Audiokarma |
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#6
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It's really neat reading all the comments on this post. So much knowledge packed into this group!!
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