Quote:
Originally Posted by TV-collector
May I can turn the video signal of this film after it comes out of the film player (Fernseh GmbH) to watch this film?
|
It is not as simple as reversing the video signal, because newer negative film stocks had a corrective orange mask.
Quote:
Originally Posted by TV-collector
Until now I am not clear about the sound of the film, magnetic line or light sound.
|
Either an optical soundtrack or a magnetic strip would be immediately visible. If neither is present the sound will be on a separate magnetic film ("Sepmag"), and this will likely be the case for such material from a TV station, in particular if this is 16mm film.
Quote:
Originally Posted by ppppenguin
As far as I know, all 16m film in the camera was negative.
|
In Germany it was indeed the usual practice to shoot news and other non-fictional stuff on reversal film, the same material as also sold for amateur use. At least at DDR-F no one bothered for any kind of grading in this use, they let the automatics of the telecine machine doing it. Thus often after a cut the picture went almost dark, then after a second or so the machine cranked it up. Not always, but too often these broadcasts of 16mm footage looked gawdawful.
Quote:
Originally Posted by old_tv_nut
At one time, Kodak produced a special low contrast 35mm print film for video use.
|
Orwo made one special colour film stock for TV use, a reversal duplicate film, called UF 1. In black-and-white they had various stocks of reversal camera film in various speeds and special kinescope film dedicated to TV use.
Quote:
Originally Posted by old_tv_nut
Edit: I also wonder who had a need for 35mm motion picture reversal film. Could it be that the 35mm version was not sold in movie rolls, and only used for slide (still) duplication?
|
The dividing lines appear to be a bit blurred anyway. At Orwo, considering colour stocks only, reversal duplicating film UD 1 / UD 2 as well as print film PC 7 were officially dedicated to both still photography and cinematography. Beyond this some guys sweared on using NC 3 motion picture film for still photography, of course in the proper fashion with a correction filter under daylight.