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#25
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Quote:
I personally like restored sets. Most work, especially by those who do TVs, is as neat as factory. Also on large projects I tend to hit burnout. If I had to restore a CT-100 I'd probably get burned out bad enough getting it to work watchably well, and sit on it that way until repair became necessary or I got back motivation. Something that has been pre-restored I can focus on that energy getting absolutely perfect. Also sets that complex require regular maintenance so you'll inevitably get 'under the hood' at some point. I like to restuff caps on sets that I feel are worth the effort, and personally I see no reason why anyone would care about the wax/foil roll still being inside. If someone wants to learn about what made wax caps tick I'm sure they will be able to find those caps loose many decades from now.....Hell I've got about a shopping bags worth that I've saved from sets I've worked on.
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Tom C. Zenith: The quality stays in EVEN after the name falls off! What I want. --> http://www.videokarma.org/showpost.p...62&postcount=4 |
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