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Only blue. Some folks have even gone so far as to say that Ektar simply can't render blue properly. I wouldn't go that far. If you have a roll from a good batch and it's processed immediately, it turns out fine. I *always* judge from optical prints made by Blue Moon Camera in Oregon, the same folks who develop my 120. I develop my 4x5s at home. I'm still experimenting with large format, so the bulk of my experience with Ektar, and the only experience I feel it fair to judge the film by, is on 120.
Ektar has similar color rendition to Kodachrome. I think it looks like a really good single-shot separation with narrow "cutting" filters; the still equivalent to a Technicolor film, well, when it isn't turning teal...
If I could afford a turn of the century 8x10 single shot separation camera, I'd go that route, layer the negatives in photoshop, and ditch the color film altogether.
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12-22-2016, 09:59 PM
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